THESIS: CONNECTION BETWEEN AN INANIMATE OBJECT AND A HUMAN (2007-2012)
In my research there is three sections searching for ways of connection between human and machine. Three sections are about how human perceives the machine:
1. As a failed human
2. As a human
3. As an inhuman (superhuman)
My thesis is asking what helps in creating a connection between human and a machine, and if machine merely a tool?
Machines are defined as tools containing one or more parts that use energy to perform an intended action. However, I do want to give the investigation an opportunity to prove otherwise, considering the essence of functionality of a machine and quality of its impact.
(To read the whole PDF please contact: [email protected])
In my research there is three sections searching for ways of connection between human and machine. Three sections are about how human perceives the machine:
1. As a failed human
2. As a human
3. As an inhuman (superhuman)
My thesis is asking what helps in creating a connection between human and a machine, and if machine merely a tool?
Machines are defined as tools containing one or more parts that use energy to perform an intended action. However, I do want to give the investigation an opportunity to prove otherwise, considering the essence of functionality of a machine and quality of its impact.
(To read the whole PDF please contact: [email protected])
THESIS: VIRTUAL THEATRE (2014-2016)
The question is about what could a virtual theatre be and which aspects does the space need to become a theatre. By the result of comparison two aspects between real theatre and virtual theatre are being drawn out:
1. In virtual space the meaning of time and space are not the same as in the real space.
2. In virtual theatre there is no direct contact between performer and the audience in the same point in time and space.
In my thesis I examined and analysed the various sides involved with theatre in the virtual space. I started with defining the general concepts, then diminishing the subject until I came to the analysis of the virtual theatre. I interviewed a number of experts from the field of technology, theatre and contemporary art, asking questions to create a theoretical plan for a virtual theatre.
Investigating and analyzing a virtual theatre brought me closer to the knowledge of what makes theatre theatre. To find out the possibility of creating something that would simulate a real theatre and would make the audience believe that they have experienced the feeling of being in a theatre, I needed to approach to the subject from its technical side and consider the shifts caused by changes and definitions. A virtual theatre should theoretically follow the rules that classical theatre form has set, however I think that virtual theatre can enrich the meaning of theatre and therefore not compete with the classical form of theatre, but give more dynamics to each other.
(To read the whole PDF please contact: [email protected])